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Directed and co-written by Cedric Jimenez, THE CONNECTION was entirely shot on 35 mm and is the European flipside to William Friedkin's The French Connection. A stylish, 70's-period crime thriller inspired by true events, it tells the story of real-life Marseilles magistrate Pierre Michel (Jean Dujardin) and his relentless crusade to dismantle the most notorious drug smuggling operation in history: the French Connection. In his crosshairs is charismatic and wealthy kingpin, Gatean "Tany" Zampa (Gilles Lellouche), who runs the largest underground heroin trade into the States. Though the fearless and tenacious Michel, aided by a task force of elite cops, will stop at nothing-including boldly orchestrated drug raids, devastating arrests, and exacting interrogations-to ensure the crime ring's demise, Zampa's "La French" always seems one step ahead. As La French mounts its retaliation, Michel will be forced to make the most difficult decision of his life: to continue waging his war, or ensure his family's safety, before it's too late. (C) Drafthouse

About The Connection

Artist : Jean Dujardin, Gilles Lellouche, Celine Sallette, Melanie Doutey, Benoit Magimel, Guillaume Gouix, Bruno Todeschini, Feodor Atkine, Moussa Maaskri, Pierre Lopez, Eric Collado, Cyril Lecomte, Jean Pierre Sanchez, Georges Neri, Martial Bezot
As : Pierre Michel, Gaetan Tany Zampa, Jacqueline Michel, Christiane Zampa, Le Fou, Jose Alvarez, Le Banquier, Gaston Deferre, Franky Manzoni, Jean Paci, Robert, Marco Da Costa, Fabrizio Mandonato, Charl
Title : The Connection Streaming En Entier
Release date : 2015-05-15
Movie Code : 2935564
Duration : 120
Category : Action

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Name : Jeannette Catsoulis / Alias : New York Times
How can you dislike a film that signals a killing with "Bang Bang" and a villain with "The Snake"?

Name : Peter Debruge / Alias : Variety
Jimenez adopts a vintage-kitsch sensibility, taking a disappointingly generic approach to his hard-to-follow narrative.

Name : Stephanie Merry / Alias : Washington Post
"The Connection" isn't all that different from a lot of police procedurals that have come before, but there's something about this particular gritty true-crime story that still fascinates all these years later.

Name : John DeFore / Alias : Hollywood Reporter
A procedural epic whose complicated narrative is propelled by visceral action sequences and an unusually thrilling soundtrack.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
There are no elaborate car chases or dizzyingly choreographed shootouts. Yet it's nonetheless a compelling portrait of two men in a specific time and place.

Name : Robert Abele / Alias : Los Angeles Times
Despite the pedestrian screenplay (by Jimenez and Audrey Diwan), Dujardin and Lellouche are magnetic performers who slip easily into their antagonistic roles.

Name : Mike D'Angelo / Alias : AV Club
Jimenez, making his second feature, fails to provide the regular jolts of electricity this material needs.

Name : Alan Scherstuhl / Alias : Village Voice
The film is engaging, propulsive, cut with rare brio, chockablock with consummate tough-guy business.

Name : Bill Goodykoontz / Alias : Arizona Republic
It may prove too slow for some and the meandering can be a little maddening, but overall it's worth the effort.

Name : Ty Burr / Alias : Boston Globe
It's a stylish affair, very solidly made if not exactly breaking new ground in our understanding of events or in the way the movies depict them.

Name : Tom Long / Alias : Detroit News
Gangster movies should not be mildly interesting.

Name : Tom Huddleston / Alias : Time Out
Sports the most schnozz-tacular array of craggy-faced macho men this side of Easter Island.

Name : Colin Covert / Alias : Minneapolis Star Tribune
While the story lacks focus here and there, the film never feels overplayed. It's a work of bloody style and solid substance.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Jimenez's sprawling cat-and-mouse thriller loses momentum and focus in the homestretch, but until then its '70s sun-and-sin-on-the-Cote d'Azur vibe is electric.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Riveting from its first moments, "The Connection" is fascinating in its presentation of character, as well as for its glimpse into the workings of an international drug empire and into the ways an imaginative cop found to chip at its power.

Name : Peter Rainer / Alias : Christian Science Monitor
A common problem in crime-centric movies: The bad guys are almost always more fascinating than the good guys. Dujardin's bull-necked, hard-charging performance makes Pierre a worthy adversary.

Name : Soren Anderson / Alias : Seattle Times
It starts with gunshots - a Mercedes and its driver are riddled by motorcycle-riding assassins in broad daylight - and the pace of "The Connection" is bang-bang brisk most of the rest of the way.

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In this exquisitely made and terrifying new horror film, the age-old concepts of witchcraft, black magic and possession are innovatively brought together to tell the intimate and riveting story of one family's frightful unraveling in the New England wilderness circa 1630. New England, 1630. Upon threat of banishment by the church, an English farmer leaves his colonial plantation, relocating his wife and five children to a remote plot of land on the edge of an ominous forest - within which lurks an unknown evil. Strange and unsettling things begin to happen almost immediately - animals turn malevolent, crops fail, and one child disappears as another becomes seemingly possessed by an evil spirit. With suspicion and paranoia mounting, family members accuse teenage daughter Thomasin of witchcraft, charges she adamantly denies. As circumstances grow more treacherous, each family member's faith, loyalty and love become tested in shocking and unforgettable ways. Writer/director Robert Eggers' debut feature, which premiered to great acclaim at the 2015 Sundance Film Festival - winning the Best Director Prize in the U.S. Narrative Competition - painstakingly recreates a God-fearing New England decades before the 1692 Salem witch trials, in which religious convictions tragically turned to mass hysteria. Told through the eyes of the adolescent Thomasin - in a star-making turn by newcomer Anya Taylor-Joy - and supported by mesmerizing camera work and a powerful musical score, THE WITCH is a chilling and groundbreaking new take on the genre.

About The Witch

Artist : Robert Eggers
As : Anya Taylor-Joy, Ralph Ineson, Kate Dickie
Title : The Witch Volledige Film In Bulgarian Ondertitels
Release date : 2016-02-19
Movie Code : 4263482
Duration : 92
Category : Horror

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Name : Soren Anderson / Alias : Seattle Times
Eggers' depiction of the family's psychological decay and his relentless piling up of deeply disturbing imagery make "The Witch" an unnerving and fresh-feeling horror masterwork.

Name : Dan Callahan / Alias : TheWrap
Isn't afraid to go to some dicey emotional and sexual places in its pursuit of its theme, and it has the sense to let some things remain unexplained because they are scarier that way.

Name : Stephanie Zacharek / Alias : TIME Magazine
The Witch has been made with extreme care, and part of what makes its supernatural elements so terrifying is that Eggers is also in tune with the more ordinary challenges of just being human .

Name : Barry Hertz / Alias : Globe and Mail
A feature debut of startling confidence, Robert Eggers's The Witch is not only an excellent horror film, but also a captivating study in extreme paranoia and the fragile bonds of family.

Name : Liz Braun / Alias : Toronto Sun
Helped by along by a great cast, a haunting soundtrack and terrific attention to period detail, The Witch is an auspicious feature debut for writer-director Robert Eggers.

Name : David Sims / Alias : The Atlantic
The movie's first-time director, Robert Eggers, blends authenticity with black magic, and the result is giddying.

Name : Adam Graham / Alias : Detroit News
The Witch" isn't typical gorehound material; it has an art film prestige and a commitment to period authenticity.

Name : Ty Burr / Alias : Boston Globe
Eggers doles out the horror sparingly and eerily: an image of blood in a milk pail, a moving shape in the shadow of a barn. The movie uses lamplight and hearth light to conceal as much as they reveal.

Name : David Ehrlich / Alias : Slate
Robert Eggers' uncompromising directorial debut is a bracingly new experience that boils with the primordial fever of America's original sins.

Name : David Edelstein / Alias : New York Magazine/Vulture
To my taste, the movie finally feels rather one-dimensional, basic. But there's no disputing its awful power - it gets under your skin .

Name : Colin Covert / Alias : Minneapolis Star Tribune
One often enters the theater hoping to discover an innovative talent who could be "one to watch" or "the next big thing." Wait no longer, Eggers has arrived.

Name : Manohla Dargis / Alias : New York Times
With a gentle rap-rapping, Mr. Eggers intensifies the shivers with art-film moves, genre shocks and an excellent cast that includes a progressively rowdy menagerie.

Name : Peter Travers / Alias : Rolling Stone
Building his film on the diabolical aftershocks of Puritan repression, Eggers raises The Witch far above the horror herd. He doesn't need cheap tricks. Eggers merely directs us to look inside. Be warned: It'll scare the hell out of you.

Name : Andrew O'Hehir / Alias : Salon.com
Like any truly successful horror film, "The Witch" operates on various levels at once and is open to interpretation.

Name : Robert Abele / Alias : Los Angeles Times
It isn't engineered for hopped-up date-night scares, but its blanket of moonlit dread is certainly form-fitting .

Name : Randy Myers / Alias : San Jose Mercury News
For anyone seeking an intelligent, atmospheric American horror story reminiscent of Edgar Allan Poe, Hawthorne and the Brothers Grimm, "The Witch" is the kind of pure movie magic that sends chills up the spine.

Name : Molly Eichel / Alias : Philadelphia Inquirer
The Witch is a stressful movie to watch, and that's meant as the highest praise.

Name : Amy Nicholson / Alias : MTV
Like the Puritans themselves, the movie shuns drama. It has too much moral virtue for jump scares.

Name : Stephen Whitty / Alias : Newark Star-Ledger
As a horror movie . the film's only flaw may be that that's how it reductively sees itself - as just a horror movie.

Name : Will Leitch / Alias : The New Republic
The Witch is wrapped up in its own views of religion, of sin, of feminine power, but more than anything else, it is wrapped up in itself.

Name : Jake Coyle / Alias : Associated Press
What makes The Witch more than a mere museum reclamation project is Taylor-Joy.

Name : Ann Hornaday / Alias : Washington Post
For fans of horror at its most sinister, "The Witch" is not to be missed. It casts a spell that lingers long after its most disquieting mists have cleared.

Name : Peter Howell / Alias : Toronto Star
This bravura first feature by writer/director Robert Eggers leaves the viewer shaken and wondering, "What just happened?"

Name : A.A. Dowd / Alias : AV Club
As straight horror, The Witch is something special, transporting audiences to a bygone era that would look plenty frightening even without the paranormal activity that engulfs it.

Name : Scott Tobias / Alias : NPR
The Witch immediately joins the pantheon of great horror movies, with the caveat that it's just barely a horror movie at all.

Name : Brian Truitt / Alias : USA Today
The first great film of 2016 is a horror flick with Puritans, possessed kids, naked forest women and a haunting goat named Black Phillip.

Name : David Lewis / Alias : San Francisco Chronicle
It's clear that this beautifully made film wants to root its horror in the less-is-more approach. But in this case, less is often just less.

Name : Chris Vognar / Alias : Dallas Morning News
Minimalist, slow to burn and utterly confident in its style and tone, Robert Eggers' Colonial New England fairy tale earns its chills the old fashioned way, through timing, atmosphere and skill.

Name : Bill Goodykoontz / Alias : Arizona Republic
With incredible attention to detail and an unwavering commitment to the world he has created, Eggers slowly, surely builds tension until it's almost unbearable. And that's delightful, if you're a horror fan. It's a terrific film.

Name : Michael Phillips / Alias : Chicago Tribune
For once in a modern horror film, the tactics and developments are simple yet surprising, and the filmmaking captures its chosen time, place and dark corners beautifully.

Name : James Berardinelli / Alias : ReelViews
I would prefer seeing a failed attempt at something different than a regurgitation of every modern horror trope. Yet The Witch proves unable to capitalize on being different.

Name : Todd McCarthy / Alias : Hollywood Reporter
Eggers creates a special feel and ambiance in his first feature after a couple of shorts.

Name : Chris Nashawaty / Alias : Entertainment Weekly
What makes this chillingly creepy little black-magic folk tale work so beautifully is its evocative sense of time and place . Well, that and composer Mark Korven's unsettling soundtrack full of screechy, dissonant strings.

Name : Bill Zwecker / Alias : Chicago Sun-Times
From the very opening scene in The Witch, we are immediately thrown into an ominous journey that conveys pending doom.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
[Eggers] proves to be an original and accomplished storyteller with much more to offer than cheap shocks.

Name : Anthony Lane / Alias : New Yorker
"The Witch" feels at once sticky with tangible detail and numinous with suggestion.

Name : Sara Stewart / Alias : New York Post
It's a creepy little gem, and its imagery will stay with you long after you've left the theater.

Name : Alan Scherstuhl / Alias : Village Voice
All the dour zealotry is enlivened by horror elements that edge The Witch toward a welcome pulpiness - and greater honesty about what hokum the film actually is.

Name : Ethan Sacks / Alias : New York Daily News
There's not much of a coherent plot that's been summoned up to go along with those impressive visuals.

Name : Rafer Guzman / Alias : Newsday
An unsettling journey back to a time when Satan seemed much closer to our world.

Name : Kyle Smith / Alias : New York Post
Writer-director Robert Eggers is said to be detail-obsessed, and it shows.

Name : Justin Chang / Alias : Variety
Writer-director Robert Eggers makes an impressive feature debut with this gripping historical horror-thriller.

Name : Joe Morgenstern / Alias : Wall Street Journal
This phenomenal debut feature by Robert Eggers has a singular style and tone, and its horror flows from the deepest wellsprings of human nature.

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