About Taken 3

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Screen Of Taken 3

Comment For Taken 3 Cinemas Del Country

Name : Betsy Sharkey / Alias : Los Angeles Times
"Taken 3" is so unintentionally hilarious I couldn't help but wonder - do movie contracts carry a humiliation bonus clause these days?

Name : Kyle Anderson / Alias : Entertainment Weekly
It's the weakest of the trilogy, but Taken 3 kicks just hard enough to survive another day.

Name : Wesley Morris / Alias : Grantland
A movie that thinks the way to earn our knuckle-biting is to be as dull as hell for 35 minutes, then send a giant shipping container hurtling along the interstate. But you yawn through that, too.

Name : Peter Howell / Alias : Toronto Star
Taken 3 is such a blatant paycheque gig for Liam Neeson, you almost expect him to stop midmovie to deposit his loot into an ATM.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
The concept is lame, and the execution is lame, too. The more the film advances, the less we care about the plot - or anything that happens to anybody, really.

Name : Mick LaSalle / Alias : San Francisco Chronicle
If you love the other "Taken" movies, you will like this. But if you're determined to love it, you'll have to talk yourself into it - and even then, it might not work.

Name : Nicolas Rapold / Alias : New York Times
The logy screenplay, by Luc Besson and Robert Mark Kamen, sags under head-clutchingly banal dramatic scenes. Only Mr. Neeson's appeal somehow survives unscathed, perhaps the most impressive stunt of all.

Name : Joe Neumaier / Alias : New York Daily News
Here it's the audience that gets taken.

Name : Ben Sachs / Alias : Chicago Reader
Forest Whitaker turns in one of his sleepiest performances; no one else seems to be trying very hard either, yet director Olivier Megaton delivers some good chases, fist fights, and shots of Neeson looking glum.

Name : Amy Nicholson / Alias : L.A. Weekly
All you need to know about Taken 3 is that Liam Neeson survives an explosive car crash - twice.

Name : Randy Cordova / Alias : Arizona Republic
All kinds of problems are forgivable in a movie like this if the finished product is exciting. That doesn't happen here.

Name : Alonso Duralde / Alias : TheWrap
Megaton and editors Audrey Simonaud and Nicolas Trembasiewicz take every fist-fight, shoot-out and highway chase and shred them into milliseconds of mismatched visual information like something out of a latter-day Godard movie.

Name : Peter Travers / Alias : Rolling Stone
Be warned, sequel fanboys: This thing sucks! At 62, Neeson still has a glare that means badass. Nothing else makes a damn lick of sense. The only thing getting taken is the audience.

Name : David Hiltbrand / Alias : Philadelphia Inquirer
Nothing gets taken here except your ticket money.

Name : Ignatiy Vishnevetsky / Alias : AV Club
Because Mills' hyper-competence never seems exciting, it instead becomes giggle-inducing.

Name : Clarence Tsui / Alias : Hollywood Reporter
Besson's team has signed off the trilogy with a whimper rather than the kind of unfettered bang delivered by the first two films.

Name : Richard Roeper / Alias : Chicago Sun-Times
​I'll tell you what got "Taken." A hundred and twelve minutes of my life got "Taken."

Name : Tom Huddleston / Alias : Time Out
'Taken 3' scores over its predecessor on almost every level: the stakes are higher, the LA locations are nicely photographed and, best of all, there's an actual plot, with twists and everything.

Name : Rafer Guzman / Alias : Newsday
Neeson's late-life rebirth as an action star may be drawing to a close with this limping, wheezing entry in the "Taken" franchise.

Name : James Berardinelli / Alias : ReelViews
Taken 3 is exactly what one might anticipate from an unnecessary sequel in a mediocre franchise.

Name : Claudia Puig / Alias : USA Today
If you've seen Taken or Taken 2, you've already been taken, and there's not much different here.

Name : Maggie Lee / Alias : Variety
The third and presumably final installment of the Liam Neeson action franchise is a mind-numbing, crash-bang misfire.

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